Summer of Colour Week 4

This week's colours are two reds and a metalic- very sensual.  I used cad red and crimson red and gold paint (the vertical text). 

I used turquoise underneath as a cool complement to these warm colours and allowed it to show through in the shaped areas.  The painting is collage and acrylic, 10" x 10" on canvas.

I learned a lot with this painting and I felt I had a break-through in my quest to be more painterly and less precise.

Acrylic Mediums

What mediums do you use with your acrylics?  I have found the following to be very useful: 

Working from left to right, the large tub is Gerstaecker light modelling paste, creamy and very elastic, so doesn't crack.  It has a pleasant matt finish.  It is quite subtle, so sometimes I use the Reeves rough texture gel (at the back behind the Liquitex mediums).

Second from the right is a tin of Golden varnish, which I use at the end of a piece to finish it off and seal everything up against dust and damage. This is an acrylic resin-based varnish with UV protection, which provides a thin yet tough coating.

Sitting on top of that tin is quite an old bottle of Liquitex iridescent medium.  I only tend to use that on the goddesses for my talismans.  Mixed in with the paint, it adds a little subtle sparkle.

Third from the left, at the back, is the Reeves texture gel, which is a lovely, sandy texture.  I prefer to use Golden modeling paste, which is nice and firm and is made from marble dust.  I am out of it at the moment and must order some more in soon.

At the front of the Reeves texture gel is some Liquitex Matt medium (the one with the green label), I like the flow of this and it is good for adding to paints to thin them for washes or glazes.

It would appear odd that I also have the Daler Rowney Matt medium as well, but this is much thicker and more like a thin gel. It serves a different purpose and I tend to use it to glaze a layer, before trying out something I am unsure of, which makes it very easy to wipe off, especially when I use the Golden Open paints that I favour.

Sitting on top of that is a crackle glaze.  I had a go at this for the first time this January and I love the effect, I must use it more often!

Finally, on the far right is a bottle of Golden Open Medium, this is light and watery and perfect for watering down the Golden Opens while keeping them workable.

There are other mediums I would like to try, some with fibres in, some with little balls, some with pumice or even crystal flakes - I want to try them all over time!

Golden Acrylic Paints

From L-R, Ultramarine, Violet, Magenta, Crimson, Azo Gold, Cad Yellow Med

I have mostly painted with watercolours or oils and used to get very frustrated with acrylics.  When I decided to work in mixed media at the end of last year, I had to come to terms with needing to use acrylic paint.  As a compromise, I decided to order in some Golden Opens.  I love them!

I decided to do some paint swatches to get a feel for the colours.  They are all quite transparent, some more so than others, particularly the ultramarines.  This becomes more evident in the second row, where I have added some Open medium and water to thin them.

On the third row, I increased their opacity by adding white, while that works, it does lessen the intensity of the colours.

On the fourth row, I added some ultramarine blue to each colour, which results in some lovely purples and greens.

Finally, I thought I would add some yellow to the original colours, which has resulted in a warm palette of oranges and greens.

I intend to get some more colours when I next place an order with the supplier.  I can see I would benefit from a cooler blue, a cerulean would be good and maybe a cooler yellow.

It is fun and useful, to do swatches when you get new paints, it helps to familiarise yourself with them.