Well, I thought I had finished this, but I hid it from myself for a while and then took a long, hard, critical look at it this morning.
I want to do a few more things to it (not much) and then call it done - it is on its way to the framers on Tuesday ready for exhibiting next month.
Showing posts with label lomonds. Show all posts
Showing posts with label lomonds. Show all posts
Saturday, 29 October 2011
Thursday, 6 October 2011
Another Progress Shot
Although I have only been able to work in small portions of time, a little progress has been made on my painting, I still have much to do.
Hopefully, I will find a bit more time at the weekend and get around your blogs too.
Hopefully, I will find a bit more time at the weekend and get around your blogs too.
Friday, 30 September 2011
In 50 Years - Progress
I have had another busy time of it - mostly social, but also work-related. I have worked some more on my painting and here is where I am at now, ready to start painting some more of the detail and establishing the light areas.
After Saturday's obligation is over, my diary will finally free up for some serious painting, which is just as well as I have many exhibtions and commitments to fulfill over the next 6 months.
After Saturday's obligation is over, my diary will finally free up for some serious painting, which is just as well as I have many exhibtions and commitments to fulfill over the next 6 months.
Labels:
autumn,
fall,
lomonds,
oil painting,
pitlessie,
rain showers,
sun fields
Sunday, 18 September 2011
In 50 Years - let us begin
I have blocked in my next painting in the theme of "In 50 Years" - it is a local view that one day in the distant future may be developed with housing and/or windfarms.
It is another 3 foot wide painting, and I have just put in the larger blocks of colour for now. Can hardly wait to develop it some more (although, oddly, I rather like it at this flat stage).
It is another 3 foot wide painting, and I have just put in the larger blocks of colour for now. Can hardly wait to develop it some more (although, oddly, I rather like it at this flat stage).
Labels:
beginning,
canvas,
in 50 years,
lomonds,
oil painting,
oils,
rolina,
summer
Tuesday, 26 July 2011
Panorama Landscape WIP2
Thankyou very much all of you who have left such positive feedback on my newest landscape.
Here is a bit more work on it, I completely changed the sky as I thought the clouds were a bit too pointy and unrealistic.
This is it just blocked in and I will add the lighter parts of the clouds in a day or two. I am having great time working at this size and format - and on canvas, for a change!
Here is a bit more work on it, I completely changed the sky as I thought the clouds were a bit too pointy and unrealistic.
This is it just blocked in and I will add the lighter parts of the clouds in a day or two. I am having great time working at this size and format - and on canvas, for a change!
Labels:
art,
artist,
cupar,
fife,
landscape,
linseed oil,
lomonds,
oil painting,
panorama,
rolina,
scotland,
uk
Sunday, 17 July 2011
New Painting on the Easel
I have begun the next painting and got the underpainting all blocked in. Once it is dry I can begin to get working on it straight away.
It is on canvas for a change and is 30cm x 100cm (1foot x 3feet). I am using purple as the under colour so it shows through in the shadows (I hope).
It is on canvas for a change and is 30cm x 100cm (1foot x 3feet). I am using purple as the under colour so it shows through in the shadows (I hope).
Sunday, 26 June 2011
Cycle Paint Cycle
I thought it was high time I did a plein air painting, so I packed up some essential supplies and got on my bike. I had identified a site last weekend, not too far from home for my first foray, so I was able to waste no time selecting my spot.
The weather was a bit dull and slightly damp this morning so the lighting wasn't perfect. I sat down on the ground with my pochade box on my lap.
My supplies were limited with only 3 brushes, 6 tubes of Griffin Alkyds, thinners and a tear-off palette. I am used to sketching a lot before I even look at my paint, but decided to force myself to use a turpsy wash instead. Because the scene was mostly green, I used cad red and alizarin for the wash. The board is just 8 x 8" and I found it difficult not to have smaller brushes for any finer details.
Here is the result, which is far from perfect (I can now see a huge compositional error straight away), but not the disaster I was afraid it might have been. I am encouraged enough to do it again and I really do not mind what the end result is, it is the process that is important to me.
The weather was a bit dull and slightly damp this morning so the lighting wasn't perfect. I sat down on the ground with my pochade box on my lap.
My supplies were limited with only 3 brushes, 6 tubes of Griffin Alkyds, thinners and a tear-off palette. I am used to sketching a lot before I even look at my paint, but decided to force myself to use a turpsy wash instead. Because the scene was mostly green, I used cad red and alizarin for the wash. The board is just 8 x 8" and I found it difficult not to have smaller brushes for any finer details.
Here is the result, which is far from perfect (I can now see a huge compositional error straight away), but not the disaster I was afraid it might have been. I am encouraged enough to do it again and I really do not mind what the end result is, it is the process that is important to me.
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