Summer of Colour Week 4

This week's colours are two reds and a metalic- very sensual.  I used cad red and crimson red and gold paint (the vertical text). 

I used turquoise underneath as a cool complement to these warm colours and allowed it to show through in the shaped areas.  The painting is collage and acrylic, 10" x 10" on canvas.

I learned a lot with this painting and I felt I had a break-through in my quest to be more painterly and less precise.

Serendipity in Art

It is great to let go of the control-freak inside (well, sometimes).  I was prepping some paper ready for painting and just love what happened here. 

What I am trying to achieve is a sense of perspective in this painting.  You have to imagine it upside down for this, I wanted texture of cracks and creases, with finer ones in the distance (top of the painting) and I wanted harder, larger ones in the foreground (bottom of the painting), so I used tissue for the finer ones and dug out an old fax roll for the harder creases.

Pleased with that aspect of the work, I then applied some lettering through a stencil using texture paste.  Now, texture paste takes ages to dry and I am impatient, I wanted to get started asap, so I blasted it with the hairdryer.  (sidenote here, I have managed to blow out one hairdryer in six months by using it in the studio, but it was an old one).

As I moved the hairdryer over the lettering, I noticed that the fax paper was beginning to darken, even after I stopped.

I thought it looked rather interesting like this, but even so, I will be painting over it.  At least I know how to achieve this effect if I ever want to!

Cailleach Bheur

I hope I am not overdoing my talisman chatter.  I have worked very hard these past several days on a number of art projects. I am experimenting with a new idea for goddess brooches, but need to take some decent photos of those before showing you and I have worked on my larger boundaries painting, which still isn't resolved yet.  But I do have new talismans to show!  This one is called Cailleach Bheur, named after the Celtic goddess of winter..

 

Talisman Progress

I started making the talismans in February and struggled with new techniques and had quite an uphill journey figuring out how to best assemble all the elements to ensure they lasted well (I was determined not to use glue).

The hardest part for me, at the beginning, was using the polymer clay, but I feel so much more accomplished with the material now and, although I am no quicker at making them, I do feel the latest goddesses are tidier and more polished.

I also feel I have improved other technical aspects like the background is now on heavy watercolour paper and not canvas to avoid the frayed edges I got with canvas.  I am more confident with my sewing machine, in adding all the elements.  I now varnish the background before adding the goddess, which helps keep dust off and I am much better at soldering the jewellery elements as well as being more experimental with them.

SOLD

These two are the latest, recently finished - I am having so much fun with them!

Works in Progress

I have two large canvases on the go, both 24" x 36" and they take a lot longer to complete, so all I have to show for my hard work this week are some detail shots.

This is the top left of canvas no.1, I love the play of  pink against the green and the pink scribing pulling the two areas together.

This is bottom right of the same canvas, here I am enjoying the play of green and purple.  There is a lot of texture built up in the many layers that I have applied so far.















This is on canvas no.2 and although it seems chaotic, I love the many layers and the lost and found symbols.

This area is the top left of the painting - just a note here, I quite often flip the paintings around and what starts as the top, may not end as the top!

Both these canvases are going to have some experimental work on them, while I try out layering landscape lines and elements.  It may go horribly wrong, but I have to try!

Zooming in with the Camera

I recently posted this large (24" x 36") completed canvas as part of my boundaries series and I think I mentioned that it has texture that wasn't clearly visible in the photo, so I took the time to get up close and personal with the camera and capture some of those textures.  It helps to get raking light from the side and at certain times of the day, this is possible.

Firstly, this is a shot from the upper central area, and here you can see the raised lettering, raised paint and the surface application of hand-scribing.

Here, from the top right, you can see the detail of the raised handwritten text, layers of paint (including buried raised text) as well as loosely woven fabric (scrim) at the bottom.

A photo taken just below the last one, shows some interesting edges of the fabric and complex colour layering.  The orange shows up beautifully here!

Large Mixed Media Canvas Completed

Photographing this piece has been a challenge, the blue has a more turquoise tinge to it, but if I adjust that, the red colour goes too orangey.  Oh the fun of photographing artwork properly!

This canvas is over 2 feet wide and exactly 3 feet tall.  I used scaled up versions of some of my favourite stencils, including text for texture and I thoroughly enjoyed working larger.

One of my artistic influences is Mark English, in particular, his landscapes.  The tree stencils I use really do remind me of his work and I get a little buzz every time I use them in my own work.

I revisited his website yesterday and began to wonder if I could make my abstracts look more like landscapes and I noodled around with Photoshop, trying out some digital ideas.  This is the result of layering some other paintings in places on this larger canvas.  Now I need to experiment to figure out how to do this for real!

More Juggling

I am still working on the larger abstract and I need to get it further along before I can photograph it properly.  It is stapled to the wall in a recess and a large shadow falls down one side of the painting.  I will be able to remove it when it is very near completion and photograph it then.

On my last post, I talked about the projects I have on the go, but I had managed to "forget" about a commission piece I am working on for a yoga studio.  That also is in progress and the deadline is fast approaching!  What is it Terry Pratchett said about deadlines?  "I love deadlines. I love the whooshing sound they make as they fly by."  Well I don't, I am terrible at working under pressure.  Fortunately, most of the work is done and it is just the final layer that needs to be done, but of course, that is the hardest one.

Anyway, because I don't like to post without including a picture (we artists like a visual, don't we?), here is another completed talisman.

Newest Talisman: The Dancer

While I get on with my larger "boundaries" piece, here is another talisman I finished recently.  I manipulated the figure before baking, so she has a dynamic twist and it looks like she is dancing with her hula hoop.

Hopefully, I will have something to show on the latest boundaries painting, I am still at the early texturising stage, currently.

Goddess of the Night Talisman

I am in the middle of a very busy week, so although some artwork is being done every day, not much is getting finished.

I have plans for a large abstract on the "boundaries" theme and am busily planning some larger stencils so they fill the space adequately and I have stapled a large canvas directly to the wall.   I am looking forward to getting messy on that project soon!

Here is a finished talisman, it feels like night in this one, so I have called her the "Goddess of the Night".

Another project, I am working on is an embroidery section for a collaborative piece based on definitions of the word "liminal".  The section I have chosen to do, sort of fits in with my "boundaries" theme and is:

"the site of the border of any stable system of signs,"

I am at the gathering materials stage and figuring out how to display the words.

New Talismans in Progress

I have some backgrounds prepared, ready to be assembled into more talismans.  They are very satisfying to make, the whole process employs so many different techniques: painting, stenciling, stamping, collage, scribing, sewing and that is before I get to the really fun part of adding the little figures and their jewels.

When I started on the background sheets last week, I took photos, intending to do a step-by-step of the process, but I got involved this week and totally forgot to take more photos.  I will do this at some time, promise!

Little Talismans

Yet more works in progress, these are the starts of a series of 4 inch talisman pieces that shall incorporate a lot of mixed media surface work before they are completed.

 

They are good fun to work on, I hope to get at least one finished by the end of the weekend.

Sneak Previews

I have some small pieces that are going to be more elaborate with more 3D elements, but I shall not say too much, just leave this picture here as a hint of things to come.

Scribble Sunday

10"x10" on Canvas

I love the scribble on this painting, it was my handwriting, gone over the top several times, within a masked area, which forced it to be confined within specific boundaries.

Fearless Friday

Sometimes, the idea you have in your head of how a piece should look, is not what you necessarily end up with!

The triptych that I envisioned for the gym was to have three running figures - one on each panel and this is what it looked like.

 

But then I photographed them and looked at them on my computer and a chance image appeared on my screen - this:

The Finished Paintings

And I really, really liked it!  So now I had a dilemma, keep all three figures or remove the first two.  Luckily I had used Golden Open acrylics and I had a bit of time to scrub the first two images off, keeping that final figure.  

The client was delighted, phew!

Triplicate Tuesday

I have worked these three together, so all their colours are uniform.  Each has it's own voice, though, so they could stand alone.

Usually, I begin my paintings with the darks first and then move to the lighter ones in subsequent layers (of which there are many), but I decided to experiment with the light, transparent colours first and move towards the darker, more opaque colours as the painting progressed.  It has resulted in quite vibrant lights, requiring less paint to get them to shine. There also are subtle colour gradations as transparent colour on transparent colour merges to form another colour.  It means that there is less of a need to mix colours prior to application, they mix on the canvas.  This was how I used to paint in watercolours and makes for some lovely, bright mixes.

My paintings have been rather difficult to photograph, but I decided to get the Canon SLR out and I am pleased to see that it picks up the texture much better.  You can just see on the first one, the top left corner has crumpled leaves as well as modeling paste text (from Rumi's Meditations).

I intend to use them together as they are to occupy a large wall space in a gym.  There will be more done to them before they are completed, so watch this space.  Will I be able to post another Fearless Friday or will it be a Failure Friday?

Stencil Sunday

One of my favourite ways to include mark-making is to use my own home-made stencils.  They remind me of screen-printing and I love how I can reuse them again and again.

I use a hot stylus to burn the design and as it is held like a pen or pencil, my own hand is evident in the finished stencil.

Today's new stencil is on the top left of this painting, the interlocking squares.  This is a negative image, the stencil blocks out the paint, whereas other stencils, like the chevron to the right of it, uses the positive image.

I am still working on the theme of boundaries, so all my stencils reflect that subject in some way and this design is based on field shapes.

Fearless Friday

Well, I really liked my sewn painting from earlier this week, but I knew in my heart it wasn't finished.

It needed something to unify all the jumble of paint colours and to give the texture the opportunity to shine.

I nearly didn't do it, I was really rather scared of spoiling a piece of work that I was very fond of, but the idea of brushing paint all the way down it wouldn't leave me.

So here is the result.  Sometimes it is worth messing something up in order to make it even better.

Mixed Media Monday

Sewn Paper on Canvas 8"x10"

Okay, I know it is Tuesday, really, but I intend to do a mixed media Monday post every week, where I try out a new technique.

All throughout the January challenge, I had been wanting to sew a lot of strips of painted paper together to make a whole piece and I also wanted to burn some Tyvek!

So, I decided to combine the two techniques and this is the result.  I am not sure I consider it a finished piece yet, I may end up cutting the sheet up and using it in something else.

Day 31 - All Thirty Paintings Together

Today is the last day of January and here are all thirty paintings together.  In reality, they aren't all evenly sized (or shaped), some were larger and some were smaller, some are parts of a larger painting and some have even been worked into since posting.

This has been a very fruitful exercise, I have so many ideas for future paintings and so many more techniques under my belt as well as more to try.